I traditionally buy myself a Christmas present (or ten). The cold winter day I popped into my favorite second hand bookstore in the town I didn’t expect to find anything. I was out taking photos; I needed to thaw out my hands (any excuse). While combing the history section for Medieval knights I caught sight of the words “Mrs Hurst Dancing”. My brain didn’t even compute the smaller print on the spine. The size of the book suggested it contained lots of pictures. Being a curious wench I wanted to know why someone would write a book about some married woman who danced. I couldn’t believe it when I saw the cover. There in my hands was a book I’d never heard of called (now that my brain bothered to read the subtitle) ‘Mrs Hurst Dancing & Other Scenes From Regency Life 1812-1823 Watercolours by Diana Sperling… I held my breath as I opened the cover to find the penciled price. It was only £6. I clutched it to my chest and laughed as I resisted dancing in the confined space. I flipped through a few pages and was enchanted. I quickly closed the book and decided it would be one of my Christmas presents which means I didn’t look at more than five of the 70 plates till Christmas day. If you love the Regency era, and you’ve never seen this book, you will want your own copy. Diana Sperling, the young woman painting scenes from her life, had a great sense of humor and clearly a love of the absurd. I had to share a few of the pictures. These aren’t even the best ones (though I include my single favorite). These few give a flavor of the rest. Diana was part of a wealthy family (her father was Lord of the Manor) who were happy and content regardless of what was going on outside their little world. The first painting introduces most of the main people in her paintings…
(The notes in italic are from the book and are written by Gordon Mingay) The family at dinner, around 1812/1813. At the head of the table sits Diana’s brother-in-law Henry Van Hagen, who had, it seems just arrived as the servant is taking his coat. On the left are her two brothers, Henry (Harry) John, the elder of the two, and Charles Robert Sperling; then comes her younger sister Isabella, and Diana herself. At the foot of the table, sitting on a sofa beside a birdcage apparently containing a parrot, is Mrs Sperling, Diana’s mother. With their backs towards us are (left to right) Mrs Van Hagen, Henry’s mother; Mr John Sperling, Diana’s father; and another sister Harriet Van Hagen, Henry’s wife, who appears to be feeding her dog Fairy with tidbits from the table. I love this picture…the mismatched chairs and the mother sitting on a settee at the table…with a bird next to her…so it wouldn’t get lonely? It’s so bizarre…I love it.
This is my favorite picture out of the book. I just think it’s so charming and romantic; this couple with grown children still (apparently) enjoy each other’s company. It’s also the first reference I’ve encountered where a Georgian man and woman are playing chess. I have a story started (which I think will be called Checkmate) where chess plays a big role…not that I play chess…minor details. I think its so sweet that the children call their parents Pappy and Mum!
Fording the ornamental water at Dynes Hall. The two unmarried sisters are on their donkeys, and the horse-riders are probably Henry Van Hagen and his wife Harriet. This is the first of many difficulties Isabella had out on riding parties.
The book says, An amusing scene, complete with dog and donkeys, where the wood cutters had been at work. I say, that Henry Van (as portrayed numerous times in the paintings) sure did enjoy romping with his sister-in-laws around the countryside. Either he was really immature or… Maybe I’m a cynic to assume a man who plays horsey on a branch that could break from the combined weight wants to see the girls’ dress fly up over her head (women didn’t wear underpants in those days, though men did).
A somewhat inclement day, one may guess, from the topcoats and cloaks. The latter were perhaps the fashionable Wellington mantles derived from a Spanish style made familiar by the Peninsular War. Charles Robert Sperling, the younger of Diana’s two brothers, married Louise Astle, the daughter of Thomas Astle, Keeper of the Records in the Tower of London, and went to live at Stansted Mountfitchet, near Bishop’s Stortford in the neighboring county of Hertfordshire. From his correspondence we gather that he had a large family and found himself hard pressed to live on the inheritance which his father had left him.
The scene moves to Tickford Park in Buckinghamshire. This Elizabethan house, which was demolished in 1976-7, stood in what was once a deer park, and came into the possession of the Van Hagen family towards the end of the eighteenth century…at the time Diana painted this picture the house belonged to Henry Van Hagen. The ladies are engaged in pasting paper and fixing a border. The use of papers for decorating walls was not very old. The practice had been stimulated by the appearance of papers lighter in design and colour, produced by a process of printing from wood blocks in oil colour instead of stenciling or hand colouring. Printing of wallpapers was first developed by J.B. Jackson of Battersea in the middle of the previous century.
The hazards of walking to a near neighbor’s for dinner. Five o’clock was a fashionable hour for dinner at this time. Luncheon had not yet assumed its later importance as a substantial meal taken in the middle of the day, and little was eaten between breakfast (usually about nine) and dinner. The party are carrying their house shoes or slippers. The lantern Henry carries is , no doubt, for the return journey. (I love how the three sisters are all dressed the same. And I love those red cloaks; I want one. I’ll pass on the bonnet).
Another walk to dinner, this time in November mud which must have played havoc with the ladies’ fashionably flat shoes. Imagine showing up at the neighbor’s with mud half way up your calves and all down the front of your dress.
There are 70 of these paintings, all about 4 by 6 inches. The tiny size makes them even more magical. If you enjoyed these, you’ll love the rest! The book is out of print, but there are lots of second hand copies. Treat yourself!
Diana Sperling was about 21 in 1812. At the age of 43 she married Fred Luard Wollaston of Pimlico and lived to the age of 71.
I love them! She really had a gift for capturing body language – the emotion of the moment and a feeling of the personality of the people she painted, really comes through clearly. How wonderful! I’ll have to see if I can find a copy of this myself. 🙂
I hope you buy one. Every painting is a little story! There’s one of Diane and her brother Charles (number 59). She’s sitting at a table with a tea urn…he’s lying a chair with his head under the arm of the chair. She says, “Come have a cup of tea it will do you good!” and he replies (looking to me like one suffering unrequited love) “Don’t bother one about tea…go and sing. Have you no feeling?” I wish I could meet these people!
beryl whyatt says
I have just come across a framed picture – ‘Charles Spirling picking up his sister sabella who had rolled off her donkey.’ then a word I cannot decipher, looks like Efsere. I wonder if this is an original or is it in the book of Mrs Hurst dancing. It could just have been cut out and framed? The picture is 7 x5″. It’s a charming picture!